31 August 2023

The Four Suitors by Sophie Jupillat Posey! **Happy 4th Book Birthday!!**

 


**Happy 4th Book Birthday!!**

Being courted by four suitors to claim the crown wasn't part of this princess's plan.

The Four Suitors

by Sophie Jupillat Posey

Genre: YA Medieval Fantasy

Quick-witted and confident, Princess Laetitia of Avaritia always gets what she wants—until her 17th nameday ball. The King and Queen, believing marriage will rein in their daughter’s rebellious nature, surprise the Princess with not one, but four suitors: a philosopher, an astronomer, an artist and a necromancer. If Laetitia can’t learn at least one suitor’s craft and prove herself to be a worthy wife, she will lose her crown—the one thing she cares about most.

Laetitia irks her suitors as much as she can while learning as little as possible about them—and their so-called “crafts.” But when she and Sir Blaxton resurrect one of the many peasants who have died recently from an unprecedented disease, the corpse’s cryptic words about his death set them on a race to find answers: What is the disease? How is it spreading so quickly? And why is it affecting only the peasants?

As Laetitia tries to find answers, she uncovers a web of corruption with a stranglehold on her kingdom. Like it or not, she’s going to need the help of all four of her suitors—even if they end up putting their own lives on the line.

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French-Venezuelan Sophie Jupillat Posey wrote a poem about spring in the 4th grade and started a mystery series a year later. She’s been hooked to creating stories ever since. She studied writing and music at Rollins College. She’s had numerous short stories and poetry published in literary magazines since 2014. 

She enjoys reading and writing anything from science fiction and fantasy, to paranormal and mystery novels. When she isn’t writing, she is composing music, creating albums, and teaching French to students in Central Florida. She can be reached on Twitter, Facebook, and her website.

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A few days later, Laetitia was woken from a troubled sleep by the messenger. She got up with a start as a plaintive voice repeated over and over again, “Princess. Princess. Priiiincess Laetitia. Princess. Wake up please.”

“What?” she shouted, taking a moment to untangle her hair from under her elbows.

She looked around blearily, hoping to see her servants, but none were in the room. She groaned and got out of bed, dearly wishing she had a dagger to stab the messenger in the face. And where were her servants? She was supposed to have servants with her at all times. She would have a stern talking-to with them as soon as she was done with this dunce.

She walked to her bedchamber door, making a mental note to severely punish whoever had left the door open, strode to the messenger and asked, “What?” so loudly, spit flew out of her mouth.

He flinched, but didn’t wipe away her spittle. He did, however, give her a letter.

“It’s from Dr. Jolland, Princess. I know it is an urgent matter for you, so I came as quickly as I could.”

She almost tore open the letter as she broke through the seal. Her pulse raced. Finally, some good news! Finally, some breakthrough. Finally, she could start feeling like a suitable heir to the throne again: efficient, calm and controlled. She could start helping her people, she could finally ease her conscience.

She unfolded the letter and started reading.

Princess Laetitia, I appreciate your efforts in reaching out to me, but unfortunately I can be of no help to you. The body you and Sir Blaxton have given me has no disease that I can find. It might be a skin blemish or disorder. I don’t think I would worry about these sores if I were you. I have disposed of the body.

Laetitia started and read it again. She turned the letter over and back again. She stared imploringly at the messenger.

“There was nothing else?”

He shook his head.

“This is unacceptable!” she burst out, wanting to dissolve in tears. Instead, she threw the letter on the floor and stamped on it with her bare feet. The paper crunched satisfyingly under her heel.

“Please leave,” she said. “And you can tell Dr. Jolland that he can chew on a moldy potato.”

With a scowl on her face, Laetitia went back into her bedchamber and walked round and round in a circle. The one person she’d been counting on, whom she’d trusted, had turned out to be a miserable failure. It was as if he hadn’t even tried. Worse, he’d gotten rid of the body. How would she be able to find out what exactly caused the sores if she had no body? If Sir Blaxton, who wasn’t a physician by any means, had detected something off about that corpse, then Dr. Jolland should have been able to glean a little something. It truly felt like all the adults in and around Avaritia had lost their minds and skills. Laetitia was at a loss. She had to let Sir Blaxton know about this disappointment. And she would have to see if there was something she could do. Maybe it was time for her to go into all the villages in Avaritia and ask questions instead of simply observing. She had to get some answers quickly.

She chose a flame-red houppelande from her wardrobe and put on the sturdiest boots she could find. Over and over she cursed her servants in her head, annoyed at having to dress herself. She hadn’t had to dress herself ever. She could do it, of course. But she shouldn’t be forced to suffer through her servants’ laziness.

Finally, she put on her circlet and made sure not one curl was out of place. She wanted to look as regal as possible. She must be poised and cold, no matter how desperate she felt inside. She marched out of her room, her hands flat against her thighs. She went to the solar first. It was empty. Laetitia blinked as she came into the solar and walked out again, unsure where she wanted to go. She then went through the bed chambers, the kitchens, pantries, gatehouses, guardrooms, oratories, boudoirs, storerooms, and ice houses before coming to the main wing with the apartments. The castle was surprisingly empty. Where was everybody? Where were the king and queen? Her servants? It wasn’t a sacred day that she knew of. Laetitia’s suspicions spiraled out of control.

The rising and falling of voices floated out from one of the apartments. She stood in the hallway, indecisive, then she crept her way to one of the apartments on the left side, the Galunarian apartment, if she recalled correctly. That’s where the voices were coming from. She heard her name and the sound of multiple male voices. She frowned. She recognized an exotic accent and a clipped cadence she knew all too well. Sir Blaxton and Sir Durriken. What were they discussing so privately? She tiptoed closer and crouched by the door, making sure to make no noise. She brushed her long hair away from her ears and focused.

Sir Durriken’s voice, angry and flustered, made its way to her, his cadence even more short than usual.

“Never in all my life have I had such a difficult student. She has no creativity, no spark of curiosity. I have to drag her through my lessons. I know full well she’s not learning. She still doesn’t know what the difference is between a comet and an asteroid. She handles the telescope, the astrolabe, the compass like an ape. An honor to be a suitor for her. Pah! The prestige of being an astronomer for a kingdom like Avaritia is nothing to laugh at. If the princess and I were to wed, this whole affair would have been worth it. But after so many months… I have no desire anymore to continue. She is like a child! Plus, the equipment this kingdom has is deplorable. Avaritia is many things, but serious in astronomy it is not. I am going to have to go back to my kingdom. Bring my own equipment.”

Laetitia reeled a little, and had to steady herself so she wouldn’t fall and make noise. A child, was she? Her kingdom deplorable, was it? She wanted nothing more than to storm in and slap him full force in the face. But it wouldn’t do. She hunkered down, and then she heard Sir Blaxton speak.

“She has learned from me a little, I think, but she still hasn’t been able to perform any ritual on her own yet. She is still, in my eyes, woefully unprepared. She has taken to necromancy like a fish to a tree. She has no skills, no aptitude for this respectable art. She is skilled in other realms, though. I think there is more to her than meets the eye. I remain her potential suitor, but I am not sure it would be prudent for her to practice necromancy. I wouldn’t mind keeping her company, but not with such an arrangement.”

Sir Lancelot spoke then.

“Surely you are being hyperbolic. I know the princess can be trying, but surely she must have learned something from one of you. She is quite formidable when she wants to be. Just because she doesn’t show it, or balks, doesn’t mean she hasn’t actually learned. She is a sharp woman, though she does act like a child sometimes. She is young yet.”

Laetitia tried to ignore the blush that crept up her face and to her hairline. There was a moment of silence and shuffling feet, and then Sir Aelfraed spoke up.

“The princess has learned well with me. She doesn’t like it, but she will get over that in time. I have had many apprentices who hated philosophy at first, but then came to love it, because it challenged them. The princess loves a challenge, and in her discourses with me, she has rhetoric, firm argumentation, a mind that’s open to countless arguments. She is a good pupil, despite her flippant attitude.”

Laetitia could have choked on her spit. What was he saying? She never would have guessed Sir Aelfraed would speak well of her, especially considering how she’d treated him recently. No matter how irritating he was, she had to admit that she did admire his optimism.

“That is exactly what I mean. She fought me at first, too, even though I know she loves art. I think it is an affectation. I think under that spiny exterior, there is something more. Strength and resilience, yes, but an empathy and creativity that is striving to come out. Do not give up on her. Plus,” Sir Lancelot chuckled, “it would make it all too easy for me to win, if you all give up so easily.”

“Ho ho, keep speaking like that, my friend, and we are going to think you actually are in this for love,” Sir Durriken said.

“Aren’t we all, in some aspect or another?” Sir Lancelot said.

A thick silence rolled in like a morning fog, and no one spoke for a few minutes. Laetitia was about ready to slink off to the gardens when Sir Lancelot spoke again. She listened to his warm voice, letting its timbre gently soothe her anger.

“We all came into this with certain expectations. We had heard some of the more…virulent rumors about the princess’s temper. But we had also heard about her beauty, her intelligence. Temper is an impermanent thing. But intelligence is something inherent.”

“Right, so right you are,” Sir Aelfraed chirped. “It’s one of the most important things a person can possess. And the princess is fiercely intelligent.”

“The princess is indeed intelligent,” Sir Lancelot agreed. “We have been chosen by the king and queen, and accepted the conditions of their Royal Accord. We are meant to teach her. Teach her what we love with the most ardent passion: our hard-acquired skills. I didn’t go into this just for the prestige of teaching an heir to the throne of Avaritia. I went into this to share my love for something and to perhaps win the princess’s heart. Or at least try. I think you are being a little unfair to the princess.”

“I understand what you are getting at, Sir Lancelot, but she is impossible. You’ve witnessed her tantrums! She doesn’t have an ounce of control. You can’t possibly want to marry a woman with the temperament of a child, who screams every time something goes wrong,” Sir Durriken said.

“The princess might have a lot on her mind,” Sir Aelfraed murmured.

Laetitia craned to hear more.

“Everyone has a bad day, my friend,” Sir Lancelot said. “Tell me, instead of complaining so much about the princess, try to think of something positive about her.”

Sir Durriken grumbled.

“Come now, there must be something,” Sir Lancelot chided gently.

“Even I have something positive to say about her,” Sir Blaxton said.

“She…she has a childlike wonder about the stars. She has no interest in anything else about astronomy,” Sir Durriken said at last.

There was a burst of laughter and some clapping.

“Well now, my friend,” Sir Aelfraed said, “you can’t blame the princess for that. I wouldn’t feel much interest in your tools and instruments. I find your skill fascinating, but to me, it may as well be alchemy. I don’t know how you do it, and I’m not sure I’d want to know. Despite that, we’ve been friends for a long time.”

“Sir Blaxton, what do you find charming about the princess?” Sir Lancelot asked.

“Her tenacity. She has incredible willpower. I have had students in the past raise the dead with me, and they vomited. Or they ran. Or they radiated so much fear it almost overwhelmed my concentration. She did it with all the resentment and stubbornness we have all picked up on. But she did it. She is a strong woman.”

“I suppose I could modify my teachings a little bit,” Sir Durriken admitted. “Instead of focusing on arithmetic astronomy of computus, perhaps I can focus on astronomical compilations and theories.

“There’s a good fellow! But remember to woo her,” Sir Lancelot said. “You are there to teach her, but also to win her heart. Treat her as a lady, princess and student.”

The other three agreed, with varying levels of enthusiasm, that they would keep the competition alive. As much as Laetitia appreciated Sir Lancelot’s words, it was a disconcerting feeling to hear herself being talked about in such a manner. She hadn’t gone through such a spectacularly wide range of emotions in a while: she’d been insulted, she’d been complimented, she’d been praised. She’d never explicitly realized that not only was she embroiled in a contest of wits and knowledge, but also a contest of the heart. It was a foreign concept. Never had she learned that choosing a consort would have anything to do with affection, much less love. As a little girl, she’d sometimes fantasized she’d find her Prince Charming, who would then become her king. That he’d be a man she could appreciate and who would understand her. But she’d given up on that fantasy after reading the history books on the various monarchy lines on the continent. Being a monarch left no room for love. Love was a thing for the lower classes, for the peasants, who had no rules to follow, no obligations of state to fulfill.

And now Sir Lancelot was trying to make this about love? She admired him deeply, she enjoyed his lessons more than she should, but he was an idealist. She ignored her racing heart, the fantasy of living somewhere with Sir Lancelot, just the two of them, enjoying beautiful scenery and making art together.

She stood up from her crouch, smoothed her kirtle, swung open the door and marched into the room. Her suitors jumped and tried to look everywhere but at her.

“You are all idiots,” she said, struggling not to giggle. How very satisfactory to surprise them for once.

“Were you eavesdropping?” Sir Durriken asked, putting his hands on his hips.

“Yes,” Laetitia said glibly.

Sir Durriken turned a brilliant shade of puce.

“How much did you hear?” Sir Lancelot asked, his mouth twitching.

“Enough,” she said. “Enough to know exactly what you think of me. You’d rather talk about me behind my back than tell me in person what you dislike about me.”

Sir Aelfraed hung his head, while Sir Blaxton worried at his lip with a bony finger. Sir Durriken’s mouth writhed but he couldn’t say anything. She was pleased to note that his cheeks still bore a striking violet color. Sir Lancelot stared evenly at her, his eyes measured and calm.

“Princess, we didn’t want to hurt your feelings and you must forgive some of us,” he cast an aggrieved glance at Sir Durriken, “who spoke out of anger. Don’t fixate on something said in anger.”

“I know you didn’t say anything too nasty about me,” Laetitia said, “but you all criticized me in some way or another. You call me a child, but you act like children yourselves, holing yourselves up in a room and gossiping about me behind my back, dishing out your petty grievances amongst yourselves.”

“She has a point,” Sir Aelfraed said.

“We are sorry, Princess. We are sorry you heard us discussing you this way. But perhaps it resolves the situation. Now you know how we feel. And we know how you feel,” Sir Blaxton said.

Sir Durriken sighed and roughly got down on one knee.

“I am sorry, Princess. I disrespected you in a way unfitting a lady, much less the future queen. I had no right to talk about you the way I did. Forgive me.”

He bowed his head almost knocking it against his knee. Laetitia walked to him and stood over him, relishing in his contriteness. But as she stood there, inwardly gloating, the fun drained out. She was above this. A queen had to choose her battles wisely. A queen had to acknowledge when she was in the wrong. Laetitia didn’t like to admit it, but she had been a pest with all of them, especially Sir Durriken. She might not like the terms of the Royal Accord, but she had to respect her end of the bargain. Her suitors had upheld theirs, despite the hell she’d given them. Laetitia cringed. Her suitors had more honor than her.

“Get up,” she snapped at Sir Durriken. “I accept your apology. But honestly, I owe you an apology, too. I have not been the best student I could be. I will try to be better, even if I don’t like or understand what you’re teaching me.”

Sir Durriken nodded.

“But you must promise not to talk about me behind my back. This goes for all of you,” she said, pointing to Sir Blaxton, Sir Lancelot and Sir Aelfraed.

“I believe we’ve been served a slice of humble pie,” Sir Aelfraed piped up.

“Yes. I never want to talk about this again,” Laetitia said, flushing. “I have been slacking in my duties with you lately and I want to rectify that. I will devote my attention to you all. But I have a lot of issues on my mind. Not everything is right with my kingdom. You must remember I am the heir to the throne. I can’t abdicate all my responsibilities even if I am your pupil.”

They nodded sheepishly and Laetitia turned to Sir Blaxton.

“I have news of importance to discuss with you. I will have to ask the rest of you to leave.”

“Remember you have your first session with me, Laetitia. We are already running late,” Sir Aelfraed said.

“I won’t forget,” she said coldly

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Heroes and villains from myth, legend, and history converge in this saga set in the vast ancient forests, treacherous bogs, snow-capped mountains, and mysterious lochs of Scotland some four hundred years before the birth of Christ.

The Place of Blood – Rinn-Iru

Conall Book I

by David H. Millar

Genre: Historical Fantasy 

Over four hundred years before the birth of Christ, the island of Ériu is a patchwork of feuding kingdoms, wide plains, and impassable bogs. Battle, intrigue, betrayals, and courage are part of life for the Celts who call Ériu home, while from their underground halls the mysterious aes sidhe seduce brave warriors, turning men in to kings and binding them with fearsome geis.

Conall Mac Gabhann is content with his apprenticeship to the local blacksmith. Content, that is, until his family is slaughtered in their home.

Two men share responsibility for the massacre: a mad Irish king and a dissolute Roman. Conall will have his vengeance on both, or die in the attempt.

Accompanied by his childhood friend Brion ó Cathasaigh and the veteran warrior Fearghal ó Maoilriain, Conall's hunt takes him northward through unfriendly kingdoms and treacherous bogs to a confrontation beyond the ancient earthworks of the Black Pig's Dyke.

Along the way, Conall will gather an army, and come to the attention of the aes sidhe. An apprentice blacksmith could become a king with their help—if he so desires.

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The Raven's Flight – Eitilt an Fhiagh Dhuibh

Conall Book II

Conall II: The Raven’s Flight continues to chronicle the epic journey of the warriors from Ériu (Ireland).

Conall Mac Gabhann and his brooding queen, Mórrígan, lead over two thousand warriors together with their followers across the narrow sea that separates Ériu from Albu (Britain). Their quest: the capture of Cassius Fabius Scaeva, the dissolute Roman patrician held responsible for the slaughter of their families.

The Ériu encounter human, natural, and supernatural foes and friends. At the mercy of the aes sidhe, a race of demi-goddesses who demand that he fulfill an ancient geis, Conall is named as the “Hand of the Goddess” and given the instrument that will crush the Na Daoine Tùrsach—a tribe of fanatical, blood-lusting priests.

They battle fierce northern tribes: the Aos na Coille, whose one-eyed king, Drostan Ruadh, opposes their presence as do the Na Mèadaidh led by the sly Finnean Mac Sèitheach. Not all are enemies. The Aos an Fhithich offer their support, although it too comes at a price.

Heroes and villains from myth, legend, and history converge in this saga set in the vast ancient forests, treacherous bogs, snow-capped mountains, and mysterious lochs of Scotland some four hundred years before the birth of Christ.

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The Sisters – Na Deirfiúracha

Conall Book III

It is 406 B.C. The Gaels tramp through the vast forests of lowland Scotland, cross the brooding moors and marshes of the Pennines, and plough the grain fields of the South. The majestic stone brochs and dùns of the north give way to the great hillforts of the south.

Cloaked in a rich tapestry of tattoos or wearing armour inlaid with iron scales, the Gaels stand as one, taunting their enemies with fierce battle-cries and insults.

In Conall III: The Sisters—the third book of the Conall series—the women take centre stage. Brighid and Danu are kidnapped on the orders of Kartimandu, a malevolent queen bent on conquering the North. Mórrígan and Conall’s blood oath promises no quarter until the young twins are returned.

Will Eachdonn Breac, betrayed by his queen—Ceana, redeem his honour on the battlefield? A merciless assassin stalks the community. Tadhg Ó Cuileannáin is given the unenviable task of tracking the killer down. A mission made worse, when the signs point to the sister of one of Conall’s closest friends. Amid, the battles and intrigue, Mòrag Ni Artair, a tall beauty and fearsome warrior, sets her sights on Conall. A clash with Mórrígan—Conall’s queen, appears inevitable.

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A Brace of Eagles - Snaidhm Iolar

Conall Book IV

Butter-gold and cruelly hooked, the beak ripped a ragged gash across the newborn’s throat.”

Son of a blacksmith, Conall Mac Gabhann’s only desire was to follow in his father’s footsteps and enjoy a long life with his childhood love, Mórrígan. The slaughter of their parents dashed those dreams. Fuelled by vengeance, both embark on the dark path of retribution.

From the ancient forest, two great eagles take wing. With amber-gold eyes, Fate and the Goddess watch, ready to guide and meddle in human lives. Conall, now Clann Ui Flaithimh’s ‘king over kings’, must complete his geis—at any cost. Conall takes another stride closer to Rome and a reckoning with Marcus Fabius Ambustus. Flat-bottomed biremes carry Conall’s army cross the Muir nIocht to crash on the shingle beaches of North-western Gaul. New enemies and uneasy alliances flourish.

Assassins, treason, and treachery thrive. Above all, Conall values loyalty. Thus, treason within the tribe sours his belly. Mercy will have no part in his response.

The fourth novel in the Conall series, Conall IV: A Brace of Eagles is a rousing epic of Celtic heroes and villains, bloody battles, political intrigue, honour, treachery, and forbidden love.

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Retribution - Díoltas

Conall Book V

Witch!” Tullus gasped.
“You are not that fortunate, Roman,” came the menacing reply.”


Blood has purchased a fragile peace for Conall and Mórrígan and the close circle of friends they call family. Now, allies and enemies alike wonder if the king and queen have lost the thirst for vengeance on those who slaughtered their families. Alarmed, gods, kings, and despots conspire to poke the slumbering fire.


Brennus of the Senones still smarts at his defeat at Conall’s hands and covets his lands and wealth. Will a bruised ego and hubris overrule the Gaulish king’s normal pragmatism?


The Gaiscedach want revenge for the defeat and execution of their queen. In the dead of night, like cockroaches, they scuttle over the walls of Lugudunon.


Marcus Fabius Ambustus tolerates no challenge to his plan to be Dictator of Rome. But has arrogance blinded him to the enemy he has nurtured?


The gates of Rome and retribution draw closer. But Conall needs his enemies as much as his friends. Still, who are enemies and who are friends? It is a time of schisms and rebuilding, of loved ones endangered, and assassins and spies revealed.


Yet, there has always been one constant. Only the foolish doubt Conall and Mórrígan will show any mercy to those who threaten their family.

Conall V: Retribution is the fifth and final book in the Conall series.

**Don't miss the spin-off novels!**

The Dog Roses: Na Feirdhriseacha

A Conall Series Spinoff

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The Blood Queen: A 'Bhanrigh Fuil

A Conall Series Spinoff

Get it on Amazon


Born in Belfast, Northern Ireland, David H. Millar is the founder, owner, and author-in-residence of Houston-based ‘A Wee Publishing Company’—a business that promotes Celtic literature, authors and art.

Millar moved from Ireland to Nova Scotia, Canada, in the late 1990s. After ten years shovelling snow, he decided to relocate to warmer climates and has now settled in Houston, Texas. Quite a contrast!

An avid reader, armchair sportsman, and Liverpool Football Club fan, Millar lives with his family and Bailey, a Manx cat of questionable disposition known to his friends as ‘the small angry one!’

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The Queen of the Poor
Alan Gold
Publication date: August 9th 2023
Genres: Adult, Historical

Angela Burdett-Coutts was a wealthy woman who used her money, class and prestige to make a tangible difference for those less fortunate. She would become one of the most outspoken and dedicated philanthropists of her day. Throwing herself into the causes she valued the most, her charity work became renowned, earning her recognition from none other than Queen Victoria herself.

Coutts the bank was founded in 1692 but really took off when Thomas Coutts took over at the beginning of the 19th Century. He made a fortune, and left it to his second wife, 40 years younger and an actress. When she died, she left it all to Thomas’ granddaughter, Angela Burdett-Coutts.

Suddenly, Angela became the second wealthiest woman in England after Queen Victoria. She had to hire bodyguards to keep fortune hunters away. But because of her wealth and also because her father was a radical politician, she moved in the most interesting circles of Victorian society, where she met and has numerous affairs with famous people, like the chemist Michael Faraday and many others including Charles Dickens and the Duke of Wellington.

She caused something of a scandal with her radical lifestyle, but because of her wealth, and the fact that she spends most of her money on charity, opening schools for impoverished children, helping Dickens with the housing for the poor, housing prostitutes and getting them off the streets she’s almost beyond criticism…. until, at the age of 66, she caused absolute shock and outrage, because she chose to marry her 29-yearold secretary called William Lehman Ashmead Bartlett. Whilst this in itself does not appear particularly shocking, as he was, like her father, a Member of Parliament, the astonishing age gap left society aghast. Whilst she was sixty-seven, he was just twenty-nine years old.

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When Harriot Mellon Coutts and the duke had married, it had caused a sensation, mainly because he was twenty-three years younger than she was. Also, despite her previous marriage to the late Thomas Coutts, she was still known far and wide in British aristocratic society as ‘the actress’. Appearing at the reading of his wife’s will wasn’t something which the duke would countenance, not with all her damnable relatives pointing and sniggering.

Explanation (On her death in 1837, her property and fortune went to her step granddaughter, selected as heir after careful scrutiny of the possible recipients, who as a condition of the inheritance adapted her name to Angela Burdett-Coutts.

My Thoughts 

Plot: A historical story based on a real person: Angela Burdett-Coutts

Genre: Historical Fiction

Angela was a philanthropist in Britain and was the richest woman at the time, second to Queen Victoria. She got rich from an inheritance from her Step Grandma. Harriot Beauclerk, Duchess of St Albans. She was bequeathed the money, instead of her brother, who rightfully had inherited, because The Duchess of St.Albans did not like the fact that her brother had married a niece of Napolean. 

At first shy and wanting nothing but to be left alone, befriends Charles Dickens, who convinces Angela to put her money to good use. He took her to the poorest parts of London so she could see firsthand how most of the poor lived. She advocated for the poor, in regard to housing, food, and medical care thus becoming known as the Queen of the Poor.

She spent her money on scholarships and endowments. She co-founded along with Charles Dickens, a home for wayward women so they wouldn't have to prostitute themselves. She was involved in numerous charities, earning her the title of Baroness Burdett-Coutts. She also owned part of the Coutts Bank. She wanted to actually work there so she could learn the ins and outs of banking but was told it was a scandal because she was a woman.

This book is shorter than most historical fiction but the author did such a great job that I breezed through in a few sittings along with great research, the life of the Queen of the Poor is a must read if yu like historical fiction or a book about a real person! I did enjoy it and I also learned something after reading it. I had never heard of Angela Burdett-Coutts.

5 stars!

I received a copy of the book for review purposes only

Alan Gold began his career as a journalist, working in the UK, Europe, and Israel. In 1970, he emigrated to Australia with his wife, Eva, and now lives in St. Ives, Sydney, where he divides his time between writing novels and running his award-winning marketing consultancy.

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Cusp of Redemption
Olivia Preya

(The Cusp Series, #2)
Publication date: August 28th 2023
Genres: Adult, Contemporary, Crime, Romance

Salvatore de Marco

It was always about her.
Taking care of her.
Making sure she had everything she needed.
School. Apartment. Living expenses.
I took care of it all. For her.
And I’ll never regret the decisions I made to keep the smile on her face.

But she left me once, and I’ll be damned before I let her leave again. As the Cafarelli family enforcer, I can provide her with more than I could before–money and protection. I’ll do everything in my power to protect her from whatever demon made her run the first time. But what if it turns out the demon was me?
If there’s one thing I know, it’s that our connection is undeniable; I can feel how hot she is for me.
Even if she won’t admit it.
Yet.

Naya Okpara

It took a long time to get to where I am now.
From foster kid to private investigator, I do whatever it takes to get the job done.
Even if that means working for the Cafarelli family.

I thought he was long gone—a distant memory tainted by a figure from our past. But time and distance did nothing to ease my hunger for his touch. Nor did it erase the betrayals that shattered me.
When the man who lights my skin on fire appears before me, I’m forced to face the realities I spent years avoiding. Now, Salvatore and I are working for the same family, and I can’t let the connection of our past ruin my future.

But what if he is my future?

Cusp of Redemption is book two of the Cusp series but can be read as a standalone. It has a guaranteed HEA, swoon-worthy anti-hero, and badass heroine. This is an interracial mafia romance containing explicit sex scenes, graphic violence, and is recommended for readers 18+.

Goodreads / Amazon


Warning: Language

“If you wanted me to hunt you down, all you had to do was ask.” I muffled a scream with my hand as Salvatore’s deep voice startled me from his place at my tiny kitchen table. “But from now on, each and every chase will end with you on your back.”

“What the fuck?” I snapped, barely able to comprehend the scene in front of me. With only two barstools and a round surface barely large enough for a pizza box, Salvatore somehow seemed to make himself at home despite dwarfing the area.

He wore a gray sweatsuit, a complete contrast to the suit from last night, but by the grace of some god, he looked even more delicious. His hoodie pulled across his broad chest and defined his shoulder muscles. My eyes traveled up his thick neck and to his mouth where a mischievous smirk curved his mouth.

A glint of light brought my gaze down to his hand fiddling with…a knife?

Salvatore gave me a slow once-over that made me contemplate hopping back in the shower—for a cold one this time. His dark eyes held me captive, taking in every inch of my being at a leisurely pace. An appreciative glint shone in his eyes.

I took the time to look at him. Really look at him. His dark hair cropped short and connected to his perfectly sculpted beard. With high cheekbones and full lips, he’d make a killing as one of those models on the cover of romance books. Especially with the jagged scar running from the middle of his right eyebrow straight down to an inch or so below his cheekbone, he was a sight to behold. While I couldn’t see his torso, there wasn’t a sliver of doubt in my mind his abs were as defined as the rest of him. My mouth watered at the memory of how hard he was as I flopped over his shoulder.

Salvatore and I had stumbled across each other’s paths a few times over the past year, and I was just as captivated and entranced by him as ever. Each time seemed to make the pull even stronger. The way his presence drew me to him was infuriating. And right now was the first time we’d been alone and so close since we last saw each other ten years ago.

But the physical attraction was undoubtedly still there.

He was bigger than before. More demanding. More dominating in his presence.

And my body couldn’t get enough. But I had to keep reminding my brain there was a reason we weren’t together anymore. He left me. I’d need to chant that mantra every time we were together.

“Diana Diamond has nothing on you.” Salvatore rumbled, his voice caressed me from head to toe and dripped in appreciation. He was referring to yesterday’s disguise. I resisted the urge to preen. I would not fuss over my appearance. It didn’t matter what Salvatore thought of me. He didn’t matter.

Although, I was mildly pleased by the fact he was alive. I didn’t like the guy, but I didn’t want him dead either.

Yet.

He sat, absently flipping the knife back and forth between his fingers. The metal glinted in the morning light. “Are you trying to intimidate me with your little knife show?”

He glanced down, mildly surprised. “Habit,” he said simply before flipping the blade down and tucking it in his pocket. “I hardly believe a knife would be enough to intimidate you.”

He stood and slowly stalked closer to me.

“And what do you think intimidates me?” I asked, raising an eyebrow. He was right, I picked up skills over the years to outmaneuver a knife. But he didn’t know that.

I held my ground as he came toe to toe with me. I had to crane my neck to look him in the eye. His presence was overbearing, the spicy scent of his cologne flooding my senses. I licked my lips, and his eyes tracked the movement. “You need something more physical. Skin on skin. Overbearing. The full weight of a man pressing you down to submit. You wouldn’t give in to something as meager as a piece of metal.”

I bit the inside of my cheek, hating how he read me so well. His eyes dropped to my lips, and I couldn’t resist darting my tongue out to lick my lips. The image of him pressing me into a bed flashed before me and I nearly choked on the need that coursed through my veins and pooled in my core.

A ghost of a smile wafted on his face, breaking the spell. I stepped to the side and out of his intoxicating presence.

Salvatore closed his eyes briefly and took a deep inhale before shifting, so we were facing each other once again.

Wait.

“You broke into my house?” I whisper-yelled, remembering I never invited him in. I didn’t even know he knew where I lived and as much as I wanted to cuss him out, I was worried about the thin walls and curious neighbors.

“You stole my car.” He shrugged.

Olivia Preya is a romance fanatic and author living in Toronto, Canada. She writes about what she loves—love, spice, and panty-dropping men with a soft spot for the love of their lives. When life gets a little tough or bland, she finds that fictional men are the best medicine.

Olivia considers herself to have two personas, like Wonder Woman, but with a pen––corporate marketing specialist by day and spicy romance author by night. She also likes to embrace all forms of sensuality, from pole dancing and erotic novels to good food; she believes that sometimes the best things in life are a little sinful.

Website / Twitter / Instagram / TikTok

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Writing Across the Genre Spectrum By Kelli A. Wilkins Guest Post!

 Hi everyone!

When people ask me what I do, I tell them I’m a writer. Usually their next question is: “What do you write?” My answer? “Everything.”

I write fiction in various genres and levels of intensity. I can give romance readers a tender love story or a spicy erotic novella in any time period. Fans of speculative fiction can be terrorized by my horror stories, solve a murder-mystery, or get whisked away into an alternate reality in my sci-fi tales. I’ve also written several non-fiction books. Looking to take care of a cat or a hermit crab? I’ve got those covered. And if you’re ready to write your own fiction, well, I wrote the book on how to get started.

I’m often asked a lot of questions about how (and why) I write across the genre spectrum. Here are four FAQ:

How did you get started writing in so many different genres?

I never set out to be such a multi-faceted writer; it was something that happened gradually. I started out writing short horror fiction, and always dreamed of “someday” having my work included in an anthology. (I’m happy to say my horror stories have appeared in several anthologies, both online and in print.) 

Then one day I came across a “10-minute love story” in a magazine and thought, “I could write one of those.” So I did. The story was accepted and I became a regular romance author for the publication. A year or so later they asked me if I could write sci-fi. I said, “Sure!” and I did.

From that point on, I realized I didn’t have to “just” write horror, or romance, or sci fi… I could branch out into any genre or type of writing I wanted. I figured, why limit yourself? If I have an idea for a story (regardless of genre), why not write it?

Recently I’ve branched out into mystery/thrillers with The Route 9 Killer and the paranormal romance/mystery genre with In Another World. Who knows what’s next?


Within the romance genre, you write contemporary, gay, paranormal, fantasy, and historical stories. Why do you vary so much in one genre?

I get inspired from a multitude of ideas, so I basically go wherever the story takes me. My fantasy romance, A Most Unusual Princess came about because I wanted to write about a headstrong princess looking for a husband. The idea of a gay wrestler forced to come out sparked A Secret Match, and a mysterious stranger collapsing into the arms of an 1877 storekeeper became my historical romance novel, Love, Lies & Redemption.

The plot and characters dictate the genre, setting, and heat level in my books. So I may write a hot contemporary romance one month, and then two months later I’m writing a mild historical. I don’t mind switching up genres because it gives me leeway to create unique characters and plots each time I write. Even I never know where the next story will take me.

Within the historical category, my books range from mild to super-spicy and take place in different time periods (Old West, Colonial, Pioneer, Celtic). I don’t stick to writing “all” Westerns or “all” Colonials. Once I have the time period for the story, I do research for details and/or ideas for clothing, occupations, etc. I like to weave authentic details into the books and blend them in as naturally as possible. 

When I’m writing fantasy romance, I try to make the details believable, even if I’m making them up. Right now I’m writing an epic historical/fantasy romantic adventure. 

How do you balance writing romance and horror? Which one do you like best?

My horror stories are more psychologically spooky rather than gory, and usually after I finish writing a few romances I switch up and write a horror tale or two. I use different “writing muscles” when I tell a horror story, and I can develop different plots, characters, and have an overall darker tone in my horror fiction than I can in a romance.

I like both genres, so it was only a matter of time before I blended the two… into paranormal romance. When I write paranormal romances I have to make sure I don’t cross over too far into the horror world. You don’t want to create a paranormal hero/heroine who is too frightening and/or violent in the story. 

Romance lovers don’t want to read about a full-fledged monster. The character has to be likeable and loveable with all the traits of a romance hero/heroine – even if he or she is a vampire who needs to feed. (This was the basis for my paranormal, Confessions of a Vampire’s Lover.)

Lately I’ve been scaling back on my romances and focusing on speculative fiction. These short stories aren’t exactly classic “horror” tales designed to scare readers, but they do include paranormal elements. One reviewer said the stories have a “Twilight Zone feel.” For example, my More than I Bargained For is an offbeat mini-mystery about a woman who can talk to the dead. 

One of my favorite horror stories is Nightmare in the North. It’s a novella about a man stranded with strangers in a blizzard. It was a lot of fun to write and after reading it, my husband called it “disturbing.” I love writing horror stories (or mainstream stories with speculative elements) and I’ve got lots of ideas…. I just need the time to write! 

You wrote the non-fiction book, You Can Write—Really! A Beginner’s Guide to Writing Fiction. What made you decide to write a book about writing?

Every time I do an interview, I’m often asked the same batch of questions: Where do you get your ideas? How do I get published? How do you write a book? What advice do you have for writers who are just starting out? Do you have any writing tips? 

I’ve answered these questions many times in interviews and addressed them in blogs, but I always wanted to say more. One day, I started thinking about everything I’ve learned over the years, and inspiration hit me: Why not write a book on how to write? The result? You Can Write—Really! A Beginner’s Guide to Writing Fiction.

This fun and practical book walks you through the story-creating process step-by-step: from getting a great idea to meeting your characters, developing a plot, and on to writing, revising, and submitting your work. It covers the basics of storytelling—regardless of what genre you write.

Each easy-to-read chapter is based on my years of hands-on experience as a writer, advice I’ve received, and the technical “know-how” I’ve gained in writing classes and professional writing workshops. Basically, it’s practical advice on how to get started, almost like a Writing 101 workshop. Any writer can use the tips and writing exercises for an extra boost of motivation or just for fun. 

Anything else you’d like to add?

Writers shouldn’t be afraid to try new things. Yes, it might be “easier” or “better” to find a genre or a niche and stay there for your entire writing career. You could build a solid brand, get a large fan base, and become a household name in the genre. That may work for most writers, but for me, it would become tiresome after a while (like having the same thing for dinner every night). I like to explore something new and different each time I write. 

For me, writing across the genre spectrum is just what I do. Some days, I venture down a dark and mysterious pathway into a haunted cemetery… Other days, I’ll lose myself in the romantic adventures of a feisty historical heroine… But no matter what I write, I enjoy creating the characters, plots, and settings that bring the story to life for readers—and I hope they enjoy the journey as much as I do.

I welcome comments from readers and other authors. Feel free to drop me a line with questions or comments about my books. You can find a full title list and all my social media links on my site: www.kelliwilkins.com

Happy Reading!

Kelli A. Wilkins

Kelli A. Wilkins is an award-winning author who has published more than 100 short stories, 20+ romance novels, and 6 mystery/horror ebooks. Her romances span many genres and settings, and she likes to scare readers with her horror and mystery stories. 

Her latest release, The Route 9 Killer, was published in May 2023. This mystery/thriller is set in Central NJ. 

Kelli’s paranormal/mystery romance, In Another World, was released in 2022. She released two horror shorts, More Than I Bargained For and Silent Sentinel in 2021. 

Follow Kelli on her Facebook author page:

https://www.facebook.com/AuthorKelliWilkins and visit her

website/blog www.KelliWilkins.com for a full title list and social media links.



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