03 March 2025

The Baritone’s Rival The Vampire Impresario Book 2 by J.B. Warrick Book Tour! @SilverDaggerBookTours #theBaritonesRival #TheVampireImpresario @jbwarrickwrites

Two rival opera singers. 

One vampire, one human. 

Both running from the past. 

The Baritone’s Rival

The Vampire Impresario Book 2

by J.B. Warrick

Genre

M/M LGBTQ Paranormal Romance

Two rival opera singers. One vampire, one human. Both running from the past.

Oscar Acosta’s abusive ex-boyfriend is dead, and his old vampire coven is gone. Now all he cares about is winning a coveted spot with the prestigious local opera company. His stiffest competition is Trent, an adorable fellow grad student with a linebacker’s build who he is definitely not crushing on.

When Oscar’s ex turns out to be not-so-deceased, sending several vampires to kidnap him, Oscar is forced to reveal his own vampire identity to his classmate. Can he trust Trent or should he keep him at a safe distance?

Trent Erickson is on his own with no safety net. He doesn’t have time for partying, especially not with a privileged trust fund nepo baby like Oscar. Trent’s not going to let some rich flake steal his star spot onstage, even if the guy stirs up feelings in him that he doesn’t understand.

But when he witnesses three savage vamps attacking Oscar, Trent’s own hidden history rears its ugly head. After all, he knows more about fighting vampires than any human should.

The Baritone’s Rival is a 60,000-word rivals to lovers, bi-awakening, fated mates vampire romance with a guaranteed HEA and no cliffhanger. It contains an ambitious opera singer and the closed-off vampire who falls for him in spite of himself. It also has steamy scenes and the violence you might expect from a vampire story. It is a standalone novel in an interconnected series. Not suitable for readers under 18.

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The Baritone’s Rival by J.B. Warrick Excerpt


Oscar retrieved a plastic bottle of alcohol and gauze pads from the island. He crouched down next to Trent. His cheek was right by the man’s broad chest. 

“I don’t think you need stitches, but this is going to hurt a little.” 

Trent nodded, although Oscar thought he might be drifting off. He poured a few drops of alcohol on a pad and touched it to the topmost cut.

Trent breathed in sharply, his hands gripping at the sides of the chair and his eyes snapping open. 

“Fuck.” 

Well, he was awake now. Oscar worked as fast as he could, but he wouldn’t risk infection. His fingers made their way across the damaged skin tenderly. Tenderness was not something Oscar had known much of, or something he trafficked in, but seeing Trent there brought it out in him. 

He just wanted his classmate to be okay, for his smooth, pale skin to be unmarred by scars and injury. He had to reverse the wound, to make it as if it had never been. He didn’t know why it was so important. Trent had said he’d been in vampire fights before. Still, something about touching him like this made Oscar’s chest open up. It felt raw, unprotected, to be caring for Trent in this way.

When he hit one particularly tender area, Trent yelped in pain, and Oscar’s heart leapt into his throat. Why was he having this reaction? He wasn’t squeamish. He’d killed vampire and human alike. Was it just that he was responsible because Trent had saved his life? Every sigh and moan caused another crack in Oscar’s cool facade. 

When the cuts were clean, he covered the area with a large piece of cotton gauze, holding it in place with medical tape. Oscar stepped back to admire his handiwork. Trent looked almost rugged with the bandage. It was a contrast to his innocent, midwestern face and sun-kissed skin. And it was sexy as hell. 

Oscar forced away the thought. This man despised him and clearly had a thing against vampires in general. He was straight! Yet Oscar couldn’t help drinking in the sight of Trent as he relaxed against the wooden chair with his eyes closed.

“How are you feeling, Trent?” Anthony asked, startling Oscar. He hoped he hadn’t been staring for too long. 

Trent’s eyes fluttered open. “Okay. The sting is duller.”

Anthony stepped toward him, reaching out to help him up. 

“Good. Let’s go sit you down in the common area. I can get some ibuprofen for the pain.”

Trent grabbed Anthony’s hand and heaved himself up. As they moved to the door, Trent looked over at Oscar with a strange look on his face. A question. Did he not want to leave Oscar?

“I’ll be right there,” Oscar said. A smile sprang up unbidden at Trent’s expression. “I just need to wash your blood off my hands.”

“That is a weird thing to hear,” Trent said, chuckling low. A spark of electricity ran up Oscar’s spine at the deep, rich sound. 

What was wrong with him? 

As Trent and Anthony left, Oscar went over to the porcelain farmhouse sink, tossing the scraps of gauze and medical tape in the trash as he passed it. He turned on the water and held out his hands.

There wasn’t too much to wash off. The wound had dried, other than a few drips when the t-shirt was removed. A quick rinse and he was clean. 

Except for the single droplet of Trent’s blood that sat on the side of the knuckle of Oscar’s right pointer finger. 

He didn’t know why he did it. It was an impulse, a sudden desire with no logic or reason. After staring at the burgundy bead for a long moment, he brought his hand to his face and licked it off.

His vision blew out in a bright rainbow of color. The taste of it exploded his senses, and a thrilling tingle ran from his tongue, down his throat, and spread to every inch of his body. He was overwhelmed with the sensation. 

Never mind the sweet, perfect flavor of it. Honey and clove. It was all Oscar wanted to taste for the rest of his life. The intense, thrilling assault on his senses could only mean one thing. 

No. He couldn’t be Trent’s mate. Would the universe do this to him? Would fate give him a mate who despised the very idea of it? A man who wanted nothing to do with vampires? Who wanted nothing to do with him? Who probably hated him?

The Tenor’s Shadow

The Vampire Impresario Book 1

One temperamental opera singer. One vampire bodyguard. Let the sparks and secrets fly.

Anthony wouldn’t let anything stand in his way.

His career as an operatic tenor was finally taking off, and he would be damned if he let some stalker keep him from his globe-hopping musical dreams. But he had made the mistake of telling his uncle about the threatening letters the creep had been leaving in his hotel room.

Now he was saddled with a muscle-bound bodyguard who was seriously cramping his love life, even if the guy did have a swoony accent and the perfect number of freckles. No matter what Anthony did, he couldn’t get rid of the stubborn redheaded Brit. Freddie just didn’t fit in with his glamorous life of encores and galas and schmoozing. And how did the man never sleep?

Freddie was there to do a job.

Or maybe a few. He had been content as head of security for the Hughes vampire coven in London. But now he’d been sent to America to keep his coven master’s nephew safe from the threat of a rival coven. He knew the rules. Anthony couldn’t find out about the existence of vampires, and he certainly couldn’t find out that Freddie was one. Plus, he had to manage Anthony’s demanding personality, and Freddie was painfully bad with people. And he absolutely one-hundred-percent had to keep himself from hooking up with the overbearing American.

When friction erupts into steamy passion, can Freddie and Anthony forge a relationship together? Or will Freddie’s secrets and the deadly vampires of the Azarian coven tear them apart?

The Tenor's Shadow is a 50,000-word MM vampire romance with a guaranteed HEA and no cliffhanger. It contains a strong-but-silent vampire bodyguard and the high strung opera singer that falls fast for him. It also contains steamy scenes and the violence you might expect from a vampire story. Not suitable for readers under 18.

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Excerpt from The Tenor’s Shadow by J.B. Warrick (Explicit)


Freddie was the head of security for a vampire coven. Most of his job was hiding their existence and lying to humans. But it was wrong to lie to Anthony. He wasn’t sure why, but the certainty of it resounded like a bell deep within him.

“There are things I can’t say.” He forced the words out. “To keep you safe.”

Anthony’s hand wrapped around his waist. Freddie had not been this close to another person, human or vamp, in decades. He lived a solitary existence. It kept him alive and sane. He preferred it. Or so he had thought.

“I do feel safe with you.”

At Anthony’s words, warmth spread throughout Freddie’s body, a comforting heat, as if he had just fed. He looked down to see Anthony’s face buried in his arm. Anthony was so much smaller than Freddie. It stirred his need to protect. Anthony was a fragile human, but he had a fire in him that deserved to be safeguarded, to be nurtured. Add in the fact that he smelled so damn good, and Freddie was lost.

Anthony’s hand ran along the side of his torso, and all thoughts of his job melted away as his cock hardened.

They were at thirty-five thousand feet. Freddie had never cared to join the mile-high club, but Anthony stirred a level of desire in him he thought had faded long ago. He made Freddie feel almost human again. 

Freddie looked around. The airplane lights were turned down low and the nearby passengers were mostly asleep. A few wore headphones, listening to a podcast or watching a movie. Freddie leaned down, putting his lips against Anthony’s ear.

“With you against me like this,” he whispered, letting his deep voice rumble in his chest, “I can’t help but imagine how you’d look naked.”

Anthony let out a sweet, soft moan. God, playing with him was delightful. Freddie stroked the back of his neck, the motion both energizing him and grounding him. 

“Shh, you wouldn’t want anyone to hear you. Better stay quiet.”

Anthony nodded, keeping his eyes closed and moving his head to Freddie’s chest. Freddie flicked his tongue against Anthony’s ear, and he squirmed as Freddie tightened his grip around him. 

“I imagine you lying naked in front of me, your pretty cock so hard for me.” 

Anthony managed to keep from moaning this time, but his fast intake of breath sent a jolt of desire down Freddie’s spine.

“So hard it hurts. I’m still in my suit, but you’re there, totally exposed, waiting for me. When I touch you, you tremble underneath me. I squeeze your cock and it’s too much to bear.”

Anthony’s arms tightened around him, and Freddie growled at the sign of his need.

“I’m so desperate to taste you. I spread you open and run my tongue along the rim of your hole.”

Freddie licked down Anthony’s neck as Anthony shivered and took in tiny gulps of air. He was trying to mute his reactions, but control was slipping away from him, and it delighted Freddie. Freddie could break him if he wanted to, and god, did he want to. Nothing would be hotter than having Anthony right at the edge.

“I make you suck my finger to get it nice and wet.” Freddie tapped his index finger against Anthony’s lips, and Anthony opened up. Freddie slipped the digit inside Anthony’s warm mouth. Anthony suckled him instinctually. Freddie could tell that his brain had gone offline. Only the desire to please remained. 

“Good job, sweet. Then I push into your hole, first one finger, and then two. Once I’ve got the third in, I’ll know you’re ready for me.”

Anthony let out a quiet sob. Freddie licked a little circle on his neck, and Anthony’s breath quickened as he did so. Anthony’s skin was delicious, citrus and salt and sweat. 

“I unzip my zipper, fully dressed and standing over your naked body, and I take out my cock. It’s hard and dripping for you.”

Anthony’s fingers clawed at Freddie’s side, full of desperate desire. Freddie chuckled. Anthony squirmed, hearing it. 

“You have to be quiet,” Freddie whispered. “When I enter you, you can’t make a sound.”

Anthony nodded, his eyes still closed.

“I need to know you hear me, baby.”

“I…I’ll be quiet.” Anthony’s voice was barely even a whisper. 

“Do you promise me?”

“I promise.” Anthony’s breath hitched, and a tremor shook him. Freddie thrilled at the effect he was having. 

Freddie looked down at Anthony, at his angelic face and his pale, bare neck. He was perfect.

“When I push into you, you’ll be fuller than you ever have been in your entire life.”

Freddie checked the nearby rows one last time. Nobody was looking. He let his fangs drop.

It was dangerous to do this here, where someone might see. And it was dangerous because the demon was straining inside Freddie, wanting more, so much more, clamoring to claim Anthony. But Freddie knew he could never hurt him. 

Gently, so gently, he bit into Anthony’s neck, barely puncturing the skin, not deep enough to reach a blood vessel. Anthony’s whole body spasmed. Freddie clamped his hand down on Anthony’s mouth, preventing his cry from escaping. Anthony trembled, and Freddie held him tight against himself. 

The tremors slowed, subsiding into gentle twitches as the orgasm finished. Freddie removed his hand, stroking Anthony’s face.

“God, I think I just…” Anthony whispered.

Freddie hummed affirmatively. Anthony’s spent form rested against his chest and stomach. He was overwhelmed and floating in the afterglow. Freddie licked his thumb and rubbed it over the bite mark. The saliva would close up the shallow puncture wound, and in a few minutes, it would be nothing more than a fading red spot. 

A single drop of blood had been left behind on Freddie’s thumb. He couldn’t help himself. He sucked it off his own skin. 

The flavor of it exploded his senses, growing from an intense tingle on his tongue to a burst of electricity running through his whole body. His vision went white. 

What was happening to him? Nothing had ever had that effect before. He’d heard of such a thing once, from a vampire who’d fed from his mate. Could that be what that was? Could Anthony be his? 

Freddie squashed the conjecture. He was too old, too hidebound, too violent to have a mate. The universe would never give him such a gift. 

“What did you do to me?” Anthony’s question came out in a broken whisper, forcing Freddie back into the real world. “That was…I’ve never felt anything like it.”

Freddie couldn’t speak. Instead, he stroked Anthony’s hair and luxuriated in the sensation of Anthony’s body pressed against him. 

Eventually, Anthony fell asleep. Freddie sat there, listening to Anthony’s slow, even breathing, and already second-guessing himself. Anthony didn’t know he was a vampire. He was getting in too deep, and it was with the coven master’s nephew. With a human. This was going to hurt.



J.B. is a writer of MM paranormal and fantasy romance. They live in New York City, and when they're not writing they spend their time eating delicious snacks and listening to opera. If you're looking for fast-moving open door romance, fun and magic, and just a touch of darkness, J.B.'s books are for you!

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You WIll Know Me by My Deeds by Mike Cobb February 24 - March 21, 2025 Virtual Book Tour!

 


You Will Know Me by My Deeds by Mike Cobb

Billy Tarwater thought he had left the troubled past behind, until a series of ominous incidents threaten to destroy everything he and his wife hold dear.

Someone is out to get them, and he is determined to uncover the truth before it’s too late. But as he delves deeper into the mystery, he realizes that the dark forces at play may be connected to the events of seventeen years ago.

And to the Atlanta Child Murders.

Join him on a heart-pounding journey of suspense and intrigue as he navigates the dangerous waters of his past and fights to protect the ones he loves.

In a race against an unknown enemy, Billy must confront his darkest fears. Will he be able to uncover the truth before it’s too late, or will he and his wife become victims of the sinister forces at play?

Praise for You Will Know Me by My Deeds:

"Mike Cobb’s You Will Know Me by My Deeds is a taut, propulsive tale set against the harrowing backdrop of the 1980’s Atlanta Child Murders. Entertainingly addictive and menacing."
~ Robert Gwaltney, award-winning author of The Cicada Tree and Georgia Author of the Year

"Mike Cobb's Atlanta-based historical fiction easily holds its place on the bookshelf next to Caleb Carr’s Alienist novels."
~ Joey Madia, author of Sherlock Holmes and the Mystery of M and the Stanton Chronicles historical fiction series

"Mike Cobb’s enthralling and meticulously-researched mystery, You Will Know Me by My Deeds, sets a lofty standard for contemporary thrillers. Set in the heart of the ‘new’ south, Cobb’s vividly-wrought tale propels his readers through the tumult of an era and illuminates race relations at a difficult moment in Atlanta’s modern history. Grab this book for a satisfying and uplifting read."
~ Steve Klein, Civil Rights Activist

"I couldn’t put this book down and had to finish it in one sitting! Once again Mike Cobb has crafted a plausible story with strong characters, a sense of place, and rich historical detail regarding a tragic chapter of my beloved Atlanta’s history – the missing and murdered children from 1979 to 1981."
~ Lisa Land Cooper, Author and Historian

"Mike Cobb’s prose is powerful, and his plot is dark, complex and full of surprises. You will find a rich, earthy view of old Atlanta complete with all its beauty, weaknesses and the diverse attitudes of the Old South."
~ Jeff Shaw, author of Who I Am; The Man Behind the Badge and Lieutenant Trufant

"A bracing historical thriller that further enriches this top-notch series."
~ Kirkus Reviews

"This is an excellent book with an engaging mystery and an intriguing conclusion. It’s clear that research is paramount to Mike Cobb’s writing. I could really identify with how he wove true crimes into this fictional one. I look forward to reading more from him."
~ Ed Begley Jr., Award-winning actor, producer, environmental activist, and author of To the Temple of Tranquility…and Step On It!: A Memoir

You Will Know Me by My Deeds Trailer:

Book Details:

Genre: Historical Crime Fiction
Published by: Waterside Production
Publication Date: January 2025
Number of Pages: 444
ISBN: 978-1962984720
Series: Sequel to The Devil You Knew
Book Links: Amazon | Barnes & Noble | Goodreads

Read an excerpt:

Chapter One

Cynthia Tarwater

Monday, December 14th, 1981

Two blurred headlights, ragged halos in the rearview, broke the Stygian pitch.

Cynthia gripped the steering wheel so hard her knuckles blanched.

The rain cascaded down the windshield in gelid sheets. The wiper blades thwacked the edge of the Suburban’s cowl like a metronome.

For the past twenty-four hours, Atlanta had been beset by a heavy downfall and scant visibility.

She struggled to make out the road ahead.

For the first five minutes of the drive, Billy Jr. and Addie had jabbered away in the back seat like sugar-high Energizer Bunnies. Then they sank into oblivion. Just like that, she thought. Nothing like a weekend sleepover at Grandma Alice’s to wear the kids out.

She stopped at the intersection of Flat Shoals and Glenwood. The barbershop to her left was long gone, a victim of white flight, its plate glass windows boarded up with fly-posted plywood. She could almost hear the snip snip of Mr. Batson’s clippers beckoning from yore. The snap of Sam Jepperson’s shoeshine cloth beseeching a generous tip. The redolence of Bay Rum and Kiwi polish. Not that she ever got her hair cut—or her shoes shined—there. But her father Cecil dragged her along on more than one occasion with the promise that they’d go next door for a vanilla shake if only she’d sit like a “good girl” and watch him get trimmed. She had often wondered whether he did things like that just to piss her off. His way of controlling. Or did he really want her company?

The car that had been following her since she pulled out of Billy’s mother’s driveway lingered half a block behind. When the light changed, she turned left onto Glenwood. She looked in the mirror. The car turned left and kept its distance. Probably nothing.

At the Gresham Avenue intersection, she glanced over at what had been Harry’s Army Surplus. Now, like the barbershop, just another padlocked casualty.

A long-suppressed memory welled up. Saturday, September 28th, 1963. She was thirteen. So capricious and carefree, like most girls her age. She left the East Atlanta Pharmacy by the front door and headed west toward Moreland Avenue. Just past Harry’s, she looked back and saw a car following her. When she stopped, it stopped. When she went, it went.

That had been her last recollection from before the erasure—what she later came to know by its medical name. Localized psychogenic amnesia. For seventeen years, the next thing she had remembered was waking up at Grady Hospital with an officer standing guard outside her door. The nurse had said You’re not Cynthia now. You’re Patti. With an i. Or something to that effect. She would later learn that the police had contrived the alias to protect her from her abductor.

It wasn’t until October a year ago that everything began coming back to Cynthia in a torrent. What had been an eradication of five weeks of her past, leaving in its wake a deep, dark abyss, had begun to come back in a matter of days. This wouldn’t have happened without Billy’s help. And his dogged determination.

Did she welcome the recovered memory? There were times when she wondered whether knowing was better than incognizance. Closure would feel right. But knowledge alone doesn’t bring closure.

And could closure ever come for the families of the girls who didn’t survive? Why had she made it out alive, and the others hadn’t?

She inched her way down Glenwood past Moreland Avenue. At the Boulevard intersection, she glanced across the street at Fire Station No. 10. A half dozen firemen were huddled under the overhang in front of the station. For a moment, she thought she saw Billy’s brother Chester standing there smoking a cigarette and chatting up the others. But Chester hadn’t lasted a year as a fireman before bugging out for the merchant marines, thinking he could avoid the draft. He ended up on the SS Mayaguez ferrying supplies through combat zones in Vietnam. Came home intact but with a chip on his shoulder.

She turned right.

She drove up Boulevard past Memorial Drive, hugging the eastern edge of Oakland Cemetery before assuming a northwesterly course past the shuttered Fulton Cotton Mill and through the railroad underpass.

She looked back. The car continued to follow her. That’s when she realized that it wasn’t nothing.

Perhaps she should have taken the expressway. But she had chosen not to. Visibility was bad enough on the surface roads.

As she neared the intersection with Ponce de Leon, the light turned yellow. She accelerated and took a hard left, hoping the car would stop on red. It didn’t. When she turned right on Peachtree, then left on Fifth, the driver continued to dog her.

Cynthia eased into The Belmont courtyard. The other car stopped briefly at the turn-in then crept down Fifth. She craned her neck, trying to get a good look at it. At the driver. But she could see little through the relentless downpour and the fogged windshield.

She parked the Suburban at The Belmont entrance. She waited for the rain to abate enough for her to get the kids inside without a drenching. Then she hurried them into the lobby under her flimsy throwaway umbrella made for one.

She closed the umbrella and hooked it on her wrist. She held Billy Jr. and Addie’s hands tight, lest they slip on the marble floor.

They crossed the threshold into the elevator cab, leaving a trail of dripping water behind. She punched 4.

When the doors opened, Billy was standing in the fourth-floor vestibule. He was in his light beige mackintosh and floppy yellow rain hat.

“Clairvoyant, are we?” Cynthia said.

“I saw you out the window and was on my way down to help. But you beat me to it.” He placed his hand on her upper arm. “Cynthia, you’re trembling.”

“It’s just the biting cold. I’m fine. I need to get these rug rats out of their wet clothes and into their PJs. And then sit for a while. You can park the car if you don’t mind.”

“Of course I don’t mind. That’s the least I can do.”

She held out the umbrella. “Want this?”

“No thanks.” He knelt in front of Billy Jr. and Addie. “How’s Grandma?”

“Feisty as ever,” Cynthia answered. “She sure knows how to cut a look. But the kids adore her, and that’s what matters most. And compared to my mother…let’s just say you’re the lucky one and leave it at that.”

When Billy returned, Cynthia was already curled up in her favorite overstuffed chair with a glass of Merlot. Her socks and Clarks slip-ons lay pell-mell on the floor about her. The open umbrella stood atilt in the corner of the room.

“That was quick,” he said.

She took a sip. Notes of black cherry, of vanilla and sandalwood, teased her throat. “I’m sure the kids are deep into sugar-plum dreams by now. Grab a pour and join me. There’s something you need to know.”

Billy, glass in hand, plopped into the chair beside her. “What is it?”

“I need to tell you about a flashback I had. And about a car.”

He listened as Cynthia told him about the car that had followed her from his mother’s house. “Could you tell what kind it was?” he asked.

“I couldn’t tell a thing, Billy.” She ran her finger along the chair’s piping, tracing in her mind the path she had taken. “All I know is it looked big. Maybe a sedan.”

“I don’t think you should be out late at night by yourself, Cynthia. It seems like every day more shit happens. Carjackings. Murders.”

“At least Wayne Williams is locked up.” She searched her thoughts. “Those poor children. And their grieving families.”

Billy’s hesitation baffled her. He just sat there for a minute without saying a word. He finally spoke. “Tell me about the flashback.”

“The whole thing with the kidnapping came rushing back tonight. It hit me hard, just as I passed the old army surplus. I guess it was my being right there where my thirteen-year-old self had been lured away.” She held her glass in the air. “More, please.”

He refilled it and topped his off. He set the bottle on the side table, leaned over, and took her hand. “I’m so sorry, Cynthia.”

“It wasn’t what I expected. I thought I had finally put it all behind me, with Kilgallon…excuse me, the Reverend Kilgallon…dead and Sam Jepperson exonerated and freed. But now I’m not so certain. Maybe it’ll haunt me forever.”

“I hope not. I just wish there was something I could do to make things better.”

“I’ll be okay.”

“Are you sure?”

“I’m sure. Life goes on, doesn’t it? And I don’t believe I have a choice in the matter.”

***

Excerpt from You Will Know Me by My Deeds by Mike Cobb. Copyright 2025 by Mike Cobb. Reproduced with permission from Mike Cobb. All rights reserved.

 

Mike Cobb

Mike’s body of literary work includes both fiction and nonfiction, short-form and long-form, as well as articles and blogs. He is the author of three published novels, Dead Beckoning, The Devil You Knew, and its sequel You Will Know Me by My Deeds. His fourth novel, Muzzle the Black Dog, a novella, is scheduled for release in May 2025. He is also working on Kathleen, a fictionalized account of a cold case murder from 1970.

While he is comfortable playing across a broad range of topics, much of his focus is on true crime, crime fiction, and historical fiction. Rigorous research is foundational to his writing. He gets that honestly, having spent much of his professional career as a scientist.

A native of Atlanta, Mike splits his time between Midtown Atlanta and Blue Ridge, Georgia.

Catch Up With Mike Cobb:
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The Woke and the Dead Nostalgia City Mysteries Book 5 by Mark S. Bacon Book Tour! @SilverDaggerBookTours#TheWokeAndTheDead #NostalgiaCityMysteries @markbaconmysteries

Suspenseful political mystery starts when a sunbelt governor attacks Nostalgia City theme park.

The Woke and the Dead

Nostalgia City Mysteries Book 5

by Mark S. Bacon

Genre

 Mystery, Suspense

The Governor vs. Theme Park = Murder

 A public war between a governor and a theme park lights the fuse on a story of hate groups, murder, corruption, racism, and political espionage. 

Ex-cop turned theme-park cab driver Lyle Deming finds the body of a park visitor during an LGBTQ event. The dead man catered gay weddings. Was it a hate crime?

 Arizona governor Rod Gudgel—running for re-election—calls it a random shooting. He mocks Nostalgia City theme park for its inclusiveness, uses homophobic and racial slurs, and later challenges the safety of its rides.

 When park employees demonstrating for gay rights are killed and injured, Kate Sorensen, the park’s 6’-2½” public affairs VP, slams Gudgel’s unsympathetic response. Lyle searches for shooting suspects and finds himself too close to an armed hate group while Kate digs into the governor’s past, unearthing an impossible trail of malfeasance and enraging Gudgel allies.

 Kate and Lyle run into plenty of blind alleys, deception, and dead ends, as they hurry to take down the governor and help the FBI solve hate crimes.

 With Lyle’s wry humor and Kate’s unflappability the story moves quickly as puzzles and subplots multiply and loop together threatening the park, their relationship, and their lives.

**PreOrder Now for Only $2.99!**

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The Woke and the Dead


CHAPTER 12

April 5

Kate heard popping sounds and almost simultaneous screams. Bullets crashed through picket signs, crashed through windows, crashed through flesh. 

Seconds before, she’d passed a line of gay rights demonstrators marching in front of Governor Gudgel’s new Polk campaign headquarters. When Kate walked into the office, the shooting began. 

She dropped to the floor as the storefront picture window shattered and a coffee machine at the back of the room exploded. Somewhere in Kate’s mind, terror mixed with split-second knowledge that the prospect of being shot by a lunatic with an assault weapon had become part of American life. Would this be her final thought?

The shots continued rapidly, pop, pop, pop, one after another. Then stopped.

Kate stayed glued to the floor, along with the half dozen office workers. She listened. Sounds eerily similar to moans from the theme park’s zombie ride drifted in through the broken window. More than a minute without gunfire passed before she dared to raise up on hands and knees, keeping her head low. A man in the corner held his arm, attempting to staunch the blood that soaked his sleeve. Kate’s first impulse was to crawl over to him, but two other people, crouching low, inched to him with towels to stop the bleeding. After another frozen minute, a siren.

When a chorus of sirens sounded, Kate raised up enough to peer through the splintered window out to the street. A sheriff’s car skidded to a stop. Its doors flew open. Two deputies, one armed with a semi-automatic rifle, jumped out and scanned the surrounding buildings. Across the street more black and whites arrived. Uniformed officers dashed up and down the opposite sidewalk. 

An ambulance braked to a stop. EMTs leaped out carrying gear. Kate stood up and took tentative steps to the door, her senses on hair-trigger alert.

She stepped outside, gagged, and turned away. Three of the LGBTQ picketers and a sheriff’s deputy lay on the ground, surrounded by blood. 


**Don’t miss the rest of the series!!**

Find them on Amazon

Mark S. Bacon began his career as a Southern California newspaper police reporter, one of his crime stories becoming key evidence in a murder case that spanned decades.

Before turning to fiction, Bacon wrote business books, one of which was  printed in four languages and three editions and named best business book of the year by the Library Journal. His articles have appeared in the Washington Post, Cleveland Plain Dealer, Denver Post, San Antonio Express News, and many other publications. Most recently he was a correspondent for the San Francisco Chronicle.

Death in Nostalgia City, the first in his five-book series, was recommended by the American Library Association. Desert Kill Switch, the second series book, was the top fiction winner in the 2018 Great Southwest Book Festival.

Bacon gets some of his ideas from experience as a police reporter and also from his work as a copywriter for Knott’s Berry Farm theme park. He taught university journalism in California and Nevada and is trying to teach his golden retriever to stop pulling the leash.

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