Title: Wifey
Author: Fey Ugokwe
Genre: Contemporary Fiction
Publisher: Pink Purse International
Pages: 154
Language: English
ISBN-10: 0615764908
ISBN-13: 978-0615764900
Author: Fey Ugokwe
Genre: Contemporary Fiction
Publisher: Pink Purse International
Pages: 154
Language: English
ISBN-10: 0615764908
ISBN-13: 978-0615764900
Purchase at AMAZON
When life as a curiously paired, young married couple in California–in the midst of a growing state and national economic crisis–becomes literally unworkable, Rodney, an earnestly toiling, playboy of a husband, unilaterally determines that he and P.V., his ambitious but naive, exotic wife, should relocate to Texas. So P.V., a struggling sophomore realtor and avid foodie, and Rodney, a newly unemployed marketer and sports addict, sell virtually everything they own and embark upon a downsized existence in the heart of North Texas–Dallas. But an eerie and horrifying morning dream that P.V. previously experienced becomes a dark and ever-unfurling, pain-filled prophesy that ultimately threatens the very foundations of their humanity. Sex, depravity, despair, and an uneven pavement of good intentions lead to a black, one-way road with a shocking and hair-raising end.
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ABOUT FEY UGOKWE
Fey Ugokwe was born in Washington, D.C., to immigrant parents–one from British Guiana, South America, and the other from Nigeria, West Africa. She was subsequently raised in Pennsylvania, and attended both college and law school in Massachusetts. Fey is an attorney, and the founder of a socially-conscious media activity. At the age of three, she was taught to read and write by her maternal grandmother, a British-trained schoolteacher, and has been writing fiction and poetry since a child. She received her formal training in novel writing, genre fiction writing, contemporary fiction writing, and political fiction writing in Massachusetts, where her professors included renowned authors at the Massachusetts Institute of Technology. Her interests are, namely, in genre, contemporary, and political fiction, and she has a strong interest in uniquely combining the essences of the three, in order to highlight the underpinnings of the human experience.
Her latest book is the contemporary fiction, Wifey.
Visit her website at www.pinkpurseinternational.net.
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Book Excerpt:
But then one day, unexpectedly, the sun rose sweepingly black upon the state—and it wasn’t the only one—and they awoke to find themselves holding onto nothing but what was standing in three dimensions, and what little they had jointly saved. They had eagerly spent—as if single college co-eds—without much store-housing, always encouraged by the reality that together, they could easily generate sufficient and more. So, in the fresh darkness, their carefree, economic togetherness began to crack, splinter, web. It all started when on a Monday, Rodney’s bosses assigned him to train a new marketing team member from their New York office, and then summarily that Friday, swiftly laid him—and his entire marketing unit—off, except for the one employee he had been forced to mentor. The fragmenting downspiral continued with P.V. realizing that the once flock of eager, wild-eyed buyers had run, scattering well deep, into hiding. Accordingly, she helplessly—an additionally, inexperienced one—watched as her real estate-for-sale listings inventory rolled and aging sat, month after nail-biting month. Resultantly, for income, the two began to snatch away anxiously at the rest of their dwindling, pea-sized savings, and at the vapors of P.V.’s plummeting realtor commissions.
In the dream, Nani appeared physically as her normal self: she was a beautiful—almost brown—bent-forward-midway-at-the-waist and thin, but wide-bodied, woman. Her parabolic bearing always made her seem as if she were perpetually giving salaam, a condition caused by her incorrigibly poor posture as a girl, and the late stages of osteoporosis in her end years. Her smooth, black hair was parted in the middle, and streaked with coarser, fly-away strands of white, all disappearing into a long braid that peeked out again near her waist. She was standing in Trinidad, outside P.V.’s parent’s first home together, in an alcove portion off the veranda that was sheltered by the low, Spanish-tiled roof of the house. In the distance, P.V. could see the blanched sands of the beach, and the sparkling, green-blue waters rolling and retreating on its thin lip. But Nani was oddly barefoot—and alarmingly sheathed from top to bottom in a white sheet that was wound about her body in sections, as if on a mummy. She was muttering and curved over a roti flat pan and board, spindly fingers slightly floured and glistening from the oil mix. One roti was already sizzling on the flat pan, and to her left, there was a large, white china plate with a royal blue pattern, heaped high with all that she had previously cooked.
The
sky suddenly darkened into a night, with a large, spinning patch of daylight in
the distance—and bright, rich, almost blindingly deep-blue flowers began to
fall out of the air to everywhere. The blooms, each as if clovers springing out
their vivid blossoms from a single stalk, dropped on top of Nani’s head and
onto her shoulders, immediately bouncing off on impact to the area around her.
And they fell onto the food and preparation table, sticking into the mixing
bowl containing the remainder dough, and blanketed the entire surface of the
ground and tiled veranda floor. One huge stalk fell
violently and lodged behind Nani’s ear, its tip caught in her hooped, gold
earring.
And
Nani seemed to abruptly become aware of P.V’s presence—whipping about sideways
to face her, straightening completely up from the waist as would have been
impossible for her, braid jerking to and fro with the immediacy of the motion.
In her right hand was the stack of roti, topped with the new roti that had been
in the pan—which was still gleaming—a flaky, beckoning nourishment, slightly
charred and golden in spots. And grunting, face ashen and gaunt, she extended
the breads to P.V., wrinkled right hand shaking out an urgency for her to take
them. But when P.V. reached for that right hand, Nani moaned and extended her
left, which—flesh inexplicably missing in parts—began to gush a dark red blood,
thick from the palm and up over like discovered crude oil, from deep within its
center.
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