THE LOST CAROUSEL OF PROVENCE by Juliet Blackwell
Berkley Trade Paperback Original
September 18, 2018
$15.00
Historical Fiction
Women’s Fiction
Long, lonely years have passed for the crumbling Château Clement, nestled well beyond the rolling lavender fields and popular tourist attractions of Provence. Once a bustling and dignified ancestral estate, now all that remains is the château's gruff, elderly owner and the softly whispered secrets of generations buried and forgotten.
But time has a way of exposing history's dark stains, and when American photographer Cady Drake finds herself drawn to the château and its antique carousel, she longs to explore the relic's shadowy origins beyond the small scope of her freelance assignment. As Cady digs deeper into the past, unearthing century-old photographs of the Clement carousel and its creators, she might be the one person who can bring the past to light and reunite a family torn apart.
About the author
Juliet Blackwell (aka Julie Goodson-Lawes, aka Hailey Lind) started out life in Palo Alto, California, born of a Texan mother and a Yankee father. The family soon moved to what were, at the time, the sticks of Cupertino, an hour south of San Francisco. Walking to and from kindergarten every day she would indulge in her earliest larcenous activity: stealing walnuts and apricots from surrounding orchards.
By the time she graduated middle school, the orchards were disappearing and the valley at the southern tip of the San Francisco Bay had become the cradle of the silicon semiconductor. A man named Steve Jobs was working in his garage in Cupertino, just down the street. Juliet's father advised his daughters to enter the lucrative and soon-to-flourish field of computers.
"Bah" said Juliet, as she went on to major in Latin American Studies at the University of California, Santa Cruz (they had, by far, the best parties of any department). Rather than making scads of money in computers, she read, painted, learned Spanish and a little French and Vietnamese, lived in Spain and traveled through Europe, Mexico, and Central America. She had a very good time.
Juliet pursued graduate degrees in Anthropology and Social Work at the State University of New York at Albany, where she published several non-fiction articles on immigration as well as one book-length translation. Fascinated with other cultural systems, she studied the religions, folklore and medical beliefs of peoples around the world, especially in Latin America. Juliet taught the anthropology of health and health care at SUNY-Albany, and worked as an elementary school social worker in upstate New York. She also did field projects in Mexico and Cuba, studied in Spain, Italy, and France, worked on a BBC production in the Philippines, taught English as a second language in San Jose, and learned how to faux finish walls in Princeton, New Jersey. After having a son, moving back to California, and abandoning her half-written dissertation in cultural anthropology, Juliet started painting murals and portraits for a living. She has run her own mural/faux finish design studio in Oakland, across the bay from San Francisco, for more than a decade. She specializes in the aesthetic renovation of historic homes.
Finally, to round out her tour of lucrative careers, Juliet turned to writing. Under the pseudonym of Hailey Lind, Juliet penned the Art Lover's Mystery Series with her sister Carolyn, about an ex-art forger trying to go straight by working as a muralist and faux finisher in San Francisco. The first of these, Feint of Art, was nominated for an Agatha Award; Shooting Gallery and Brush with Death were both IMBA bestsellers, and Arsenic and Old Paint is now available from Perseverance Press.
Juliet's Witchcraft Mystery series, about a witch who finally finds a place to fit in when she opens a vintage clothes shop on Haight Street in San Francisco, allows Juliet to indulge yet another interest—the world of witchcraft and the supernatural. Ever since her favorite aunt taught her about reading cards and tea leaves, Juliet has been fascinated with seers, conjurers, and covens from many different cultures and historic traditions. As an anthropologist, the author studied and taught about systems of spirituality, magic, and medicine throughout the world, especially in Latin America. Halloween is by far her favorite holiday.
When not writing, painting, or haranguing her funny but cynical teenaged son, Juliet spends a lot of time restoring her happily haunted house and gardening with Oscar the cat, who ostensibly belongs to the neighbors but won't leave her alone. He started hanging around when Juliet started writing about witches...funny coincidence.
By the time she graduated middle school, the orchards were disappearing and the valley at the southern tip of the San Francisco Bay had become the cradle of the silicon semiconductor. A man named Steve Jobs was working in his garage in Cupertino, just down the street. Juliet's father advised his daughters to enter the lucrative and soon-to-flourish field of computers.
"Bah" said Juliet, as she went on to major in Latin American Studies at the University of California, Santa Cruz (they had, by far, the best parties of any department). Rather than making scads of money in computers, she read, painted, learned Spanish and a little French and Vietnamese, lived in Spain and traveled through Europe, Mexico, and Central America. She had a very good time.
Juliet pursued graduate degrees in Anthropology and Social Work at the State University of New York at Albany, where she published several non-fiction articles on immigration as well as one book-length translation. Fascinated with other cultural systems, she studied the religions, folklore and medical beliefs of peoples around the world, especially in Latin America. Juliet taught the anthropology of health and health care at SUNY-Albany, and worked as an elementary school social worker in upstate New York. She also did field projects in Mexico and Cuba, studied in Spain, Italy, and France, worked on a BBC production in the Philippines, taught English as a second language in San Jose, and learned how to faux finish walls in Princeton, New Jersey. After having a son, moving back to California, and abandoning her half-written dissertation in cultural anthropology, Juliet started painting murals and portraits for a living. She has run her own mural/faux finish design studio in Oakland, across the bay from San Francisco, for more than a decade. She specializes in the aesthetic renovation of historic homes.
Finally, to round out her tour of lucrative careers, Juliet turned to writing. Under the pseudonym of Hailey Lind, Juliet penned the Art Lover's Mystery Series with her sister Carolyn, about an ex-art forger trying to go straight by working as a muralist and faux finisher in San Francisco. The first of these, Feint of Art, was nominated for an Agatha Award; Shooting Gallery and Brush with Death were both IMBA bestsellers, and Arsenic and Old Paint is now available from Perseverance Press.
Juliet's Witchcraft Mystery series, about a witch who finally finds a place to fit in when she opens a vintage clothes shop on Haight Street in San Francisco, allows Juliet to indulge yet another interest—the world of witchcraft and the supernatural. Ever since her favorite aunt taught her about reading cards and tea leaves, Juliet has been fascinated with seers, conjurers, and covens from many different cultures and historic traditions. As an anthropologist, the author studied and taught about systems of spirituality, magic, and medicine throughout the world, especially in Latin America. Halloween is by far her favorite holiday.
When not writing, painting, or haranguing her funny but cynical teenaged son, Juliet spends a lot of time restoring her happily haunted house and gardening with Oscar the cat, who ostensibly belongs to the neighbors but won't leave her alone. He started hanging around when Juliet started writing about witches...funny coincidence.
My Review
The Lost Carousel of Provence is a historical fiction novel about the old carousels in France. Cady Drake, the principal character, is a photographer who was brought up in the foster system and has no family. Passed from family to family and always in trouble, she did end up living with an elderly woman, Maxine, who taught her how to restore antique items. She has an obsession with carousels that leads her to Paris and to the Chateau Clement where a grumpy elderly man, Fabrice Clement, lives. Cady comes to the chateau with the idea to restore the carousel that she finds there.
Other characters in the novel are:
Fabrice Clement (1945) Fabrice is a cantankerous old man who lives in the chateau, whom family disputes actually belongs to him. Fabrice has guilt that he is living with about something he did as a teenager during the war.
Maelle Tanguy (1900) Maelle is a young woman who is a wood carver who is given a position as a domestic servant to Gustave Bayol, the original carver of the carousels. She desperately wants to be a carver, that is what she lives for. She forges a friendship with Josephine, the wife of Gustave. She becomes embroiled in deceit that leads her to a series of life choices.
Jean-Paul, present day, is the nephew of Fabrice who wants to restore the Chateau to its glory days, but that takes money and Fabrice is adamant that the Chateau not be sold. He acts as the go between with her and Fabrice. Fabrice wants nothing to do with Jean-Paul.
The story is told in different characters point of view and also in different eras. I found the story to be fascinating, I never knew anything about carousels. The author's descriptions and characterizations made this book very readable. The reader learns about Cady's early life, Maelle's relationships and her desire to be a carver, and what happened to Fabrice during the war that makes him such an unhappy man. Can Cady help seal the rift between the family members? Well you will just have to get a copy and read it!
I really enjoyed the book and highly recommend it if you are into historical fiction and WWII.
I received a copy of the book for review.
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