But the only man in town with expertise in the occult is her former Ph.D. advisor Marcus, who put the moves on her when she was working on her dissertation. The professor informs her she's a wizard. It's in her blood. And she can time travel through mirrors. He admits he knew about her unusual heritage the whole time.
He offers her a deal: he will teach her how to use the wand to go back in time to find "Doctor Uncle," a wizard in possession of the Philosopher's Stone, under the condition that after they use the elixir to revive her family, she must hand it over to him.
Refusing to work with a man she loathes, Martie decides to try the wand on her own. She stumbles through the mirror into Edwardian London and the arms of a sexy but sarcastic wizard named Alastor. The two get off to a contentious start, as her magical powers go awry whenever they are in close proximity. Operating on the information gained from her professor, Martie intends to steal the elixir from Alastor that will save her family's lives. What she doesn't plan on is falling in love.
Karla Tipton cut her literary teeth on gothic romances, Edgar Allan Poe and the vampire soap “Dark Shadows.” Long before there were sparkly vampires roaming through the cultural consciousness, she wrote about ordinary women time traveling through history and falling in love with powerful men of myth and magic.
“Genre-bending” came naturally. Despite publishing industry advice to find a genre and stick with it, Karla shamelessly mixed it up, blending history, paranormal, time travel, fantasy and mystery into her novels.
When she became fascinated with Richard III, she made a research trip to England, so she could lend authenticity and historical detail to her novel about a romance between a modern woman and her favorite medieval king. “Rings of Passage,” a time travel romance set in medieval England, is Karla’s first published novel.
Time travel and magic are also at the heart of the project she’s just wrapping up, “Dangerous Reflections,” a romance about a twenty-first century post-graduate student and an Edwardian-era wizard. Karla is a member of Romance Writers of America, and her writing has earned top honors in several RWA chapter competitions. When not at her government job or writing novels, Karla plays guitar in a classic rock band.
From the Author
1. Dangerous Reflections is an Edwardian London-based story about a graduate student who travels through time to help save her dying grandmother. What inspired you to write a time travel book that features mystery and magic?
I’ve always written stories with time travel and paranormal elements since elementary school. The time travel element was most likely inspired by watching the gothic TV soap, Dark Shadows, and Christopher Lee vampire movies. My mother handed me a collection of Edgar Allen Poe short stories when I was about 10. She hoped I would learn the dangers of keeping secrets from The Tale-Tell Heart. But what really caught my attention was the plot device of having a dismembered murder victim buried under the floorboards.
Dangerous Reflections came about after I discovered the Harry Potter books in the early 2000s, when J.K. Rowling was still writing book 5 out of 7. Losing myself in “Potterverse” helped me escape my day-to-day life, inspired my hope, and stirred my creative imagination. I began writing fan fiction based in that world, and when my stories earned over a thousand positive reviews on a fanfic website, I decided to develop a magical world of my own. Whereas Rowling’s magic world was entirely imaginary, mine is set against the backdrop of history.
2. Your first novel, Rings of Passage, is also a time-travel novel about King Richard III. How did writing that novel contribute to the story in Dangerous Reflections?
I wrote Rings of Passage, which features Richard III as the romantic hero, about 20 years ago. In the mid-1990s, Rings of Passage was agented and pitched to New York publishing houses, but at that time, romance publishers weren’t interested in books that blended romance, time travel, fantasy and history all in one. When Richard III’s skeleton was excavated from under a parking lot in England in 2012, I dusted off my novel, updated it, and sold it to a small e-publisher, LazyDay. It seemed miraculous to me that the medieval king I had written a novel about so long ago was suddenly all over the news. Richard’s reburial in Leicester Cathedral is scheduled for March 26, 2015, and I plan to be there.
Although the magical conventions are different in Rings of Passage and Dangerous Reflections, there are definitely similarities. Themes that always seem to appear in my novels are that soul mates do exist and that destiny can be altered if the love is strong enough.
Another similarity between my two novels is my incorporation of the Philosopher’s Stone, a magical substance produced by alchemists, who were ancient sorcerer-scientists. In Rings of Passage, the magical rings are made of it. In Dangerous Reflections, it’s the substance the heroine seeks to heal her sick grandmother and father.
3. What other background and experience do you have as a writer that led to you trying your hand as a novelist?
I began writing fiction at about age 9. I was inspired by paranormal stories early on, and one of my first short stories was about zombies created by voodoo. I continued to write fiction, but became involved in the rock music scene as a listener, bedroom musician, and observer of trends. I enjoyed the writing styles of rock journalists such as Lester Bangs, and decided I wanted to write about the music. I joined my high school newspaper so I could publish my rock concert reviews, and went to college for a journalism degree. After graduating from Kent State University in Ohio, I took a job at the Antelope Valley Press in California. In addition to writing historical feature articles about the local area and residents, I continued developing my rock journalism chops by interviewing musicians and reviewing albums and concerts that took place in nearby Los Angeles. Many of my articles are posted on my website.
4. There are strong elements of romance in both of your novels. How did you develop the male love interests’ characters and are they based on any individuals that you know personally?
The male love interests in my stories truly are built upon my imagination and my ideal dream lovers, not on any real person or relationship I’ve ever had. Don’t I wish! .I do like antiheroes, and both male leads are haunted by darkness and self-loathing within. They are curmudgeonly bad boys with hearts of gold. It’s a favorite archetype of mine. I also like dark-haired English guys with long noses. Go figure.
5. What do you find the most fascinating about the fantasy, historical, romance, and time-travel genres?
It’s the blending of the fantasy, historical, romance and time travel genres that I enjoy most. I “genre-bend” without even trying. Writing a formula romance? Now that’s hard. Really hard.
When writing romance, it’s developing the relationship dynamics between two characters that is the most gratifying for me. When life throws them a curve ball, or they find themselves in incredible circumstances, or under extreme pressure, I like to see the extreme lengths of courage and strength they can muster.
6. What would you like readers to remember about you and your books?
I want readers to be moved by my themes of sacrificing for love, and how trust between lovers is hard won but easily lost through betrayal, or perceived betrayal. There’s the idea in all my novels that soul mates might be destined for each other, but not necessarily destined to be together. The world is a harsh place, and external forces can keep two lovers separated no matter how right they might be for one another.
I also want readers to be so gripped by the plot twists and cliffhangers in my novels that they stay up too late, totally engrossed, and are sleepy all the next day at work, but never doubt that it was totally worth it.
7. Are you working on a new novel and, if so, what can you tell us about it?
I’m working on a novel called Potionality Crisis. It’s a modern day tale and does not involve time travel. The story revolves around two scientists: the hero, Silas, is a curmudgeonly yet sexy university professor and chemist renowned for developing natural healing compounds, of which the patents are sold to fund the university. The heroine Ellie is his graduate student assistant with a secret: Her mother is a witch and Ellie, too, practices magic. Ellie’s professional aspiration is to merge magical methods of healing with the hard scientific techniques that Silas is famous for. But Silas has a secret, too – one that he is not even aware of himself.
