Please join me in welcoming Brian Holers, author of Doxology to Celticlady's Reviews and Novel Publicity!!
1. Why did you choose to write about characters who set out to rediscover their faiths?
The characters in Doxology don’t really set out to rediscover their faiths—they simply rediscover them when everything else is lost. My two central characters, Vernon and Jody, uncle and nephew, are just living life as the story begins. Jody has a pretty good, interesting life, he has a stable job working for a nice family, he’s in love with the daughter of that family and works for the son and father. He has totally inserted himself into this family, and his life has promise. Only when he learns that his father is dying does he decide to return home, deal with things he has successfully avoided, and discover the great role faith has played in making him who he is. Vernon, conversely, is making his way through life, but just barely; the tragic loss of his son has made him a mere shell of the man he once was, and the greatest joy of his current life is his ongoing endeavor to show his disdain for God. Only when he fails in the one pitiful thing he has left, when he is broken down to absolutely nothing, is a return to faith possible. The story is entirely fabricated, without really a shred of reality, though I can recognize parts of myself in many of the characters. Particularly Jody’s girlfriend.
2. What was the inspiration for this book?
The inspiration for Doxology was the longstanding concept of “my brother’s keeper,” superimposed on the Jewish concept of “dayeinu”. Dayeinu is what Jews say during the Passover seder in contemplation of the many things God has done for us—the concept of “it would have been enough.” “If only God had led us out of the desert, dayeinu, it would have been enough. But no, God did something more.” In 2005, when I finally started writing, I worked on short stories and met twice a month with a group of other writers. When my wife and I decided to leave the country for a year, I figured, well I won’t be meeting with a writers’ group anymore, maybe I’ll just write a book. And I wrote the first several drafts of that book while we were traveling, from a smelly dive-shop hotel in Zanzibar, where I had to drag a rickety wooden table into our room and kick my wife and son out for the afternoon, to a beachfront room in Phuket, to the lobby of a YMCA hotel in Jerusalem, to a coffee shop with stale cookies in Malaysia, where my family and I helped build a Habitat for Humanity house during the day. And really that trip cemented for me the idea that anywhere you go, the stories are the same. We all care most about our families. There are so many good things God does for us.
3. What surprises did you encounter in writing Doxology?
The greatest surprise I encountered when writing Doxology was the way Vernon kept trying to take over. When the story began, it was all about Jody. The problem was, Vernon’s conflict was more immediate right from the beginning—dealing with the death of his only son, his constant drinking and self-destructive behavior. He just kept taking over—maybe Jody’s struggle was so much harder to portray, since he seems to be doing pretty well in his current life, unlike Vernon. I overcame this problem by letting go—I stopped fighting it. I let Vernon take over, and then struggled to really work my way inside Jody, which took a long time. I overcame the problem by deciding the book was going to be done when it was done, and I couldn’t rush it.
4. Why did you decide to become a writer?
I discovered my passion for stories at a young age—I have always been filled with stories. It took me awhile to begin to try and write them down. It also took me a few years to discover that trying to tell people the stories I imagined just made everyone think I was weird (which is a fair assessment) and that I talked too much. I’m glad it worked out this way though—if I had discovered my passion for writing at a young age, I would probably have struggled in a losing battle to make my living that way, and I’d be discouraged and burned out by now. What I discovered instead, in my twenties, is that for a guy so animated by imaginary stories, I’m surprising adept at negotiating the physical world. A dozen or so years of self employment allowed me to strip away a lot of detritus, have a lot of time alone to think. Once, a consultant I hired to help me manage my tree service told me that the world inside my head was more vivid to me than the world outside, and that’s when I decided I had to get serious about my writing.
5. What is the most effective resource you have found for writing?
The only effective resource I have come across to hone my craft is time. And the best advice I received is not to rush. Even when you think you’re done the first or the first several times, put the book away for awhile and come back to it. Don’t rush. I wish I had kept track of how much time I spent on this book—I would guess between 3,000 and 4,000 hours. For one little book! But the advice goes deeper—don’t rush, make a schedule and sit there and write. Give yourself the time and then sit there and do it. If you’re like most of us and have a job, don’t try to commit too much of your day to it. Give it an hour a day, two hours, whatever. Just commit to it. It’s so much easier to come home from work, have a few drinks, go to the bar, and sit and stare at the stories in your head and say “I’m a writer.” You’re only a writer if you’re writing. As for bad advice, I am totally self taught in this craft—the only bad advice I have received is regarding publishing. A lot of people told me even a year ago not to self-publish. However, I have one thing now I wouldn’t have if I hadn’t decided to self-publish, and that is a book.
6. What is your favorite writing ritual?
My favorite writing ritual is to go to my desk at night after my son goes to bed, have my wife put on her headset if she wants to watch TV or listen to music or whatever, just make it very quiet, and sit there until I really need to go to bed.
7. What do you like about writing?
My favorite part of the writing process is the feeling I get each step of the way, which comes from deciding what I can do that day is good enough. Lately I’ve been writing essays. I start with jotting down notes—I write a lot by hand, I think better that way. I’ll write down in my sloppy scratch all the ideas that come to mind on a subject. Then the next session, I’ll organize all those notes, expand a bit, put them all in order. Again, all on paper. Next time I’ll write a draft, and even as I’m writing I know there will be a lot I want to change. Then I’ll print it, make changes, and write again. But I decide each step, and each draft, is good enough for what it is. My least favorite part of writing is that it’s always late and I’m always tired and have to get through it, which I do by setting short-term goals. The greatest of which is brushing my teeth and going to sleep.
8. Why did you decide to self-publish Doxology?
The traditional, old-school publishing world is in total disarray, which is why writers like me have to take things into their own hands. For a lot of us, especially first time or unpublished writers, our hope to be published is simply that, hope. We look at getting a publishing contract as our best chance of being somebody. Now that I’m out here, I have a better sense of how books are sold, and I am here to tell you it is not easy. Possible, yes, but not easy. There are a zillion other forms of entertainment that require much less effort. A publisher really has to sell several thousand copies of your book before beginning to break even. And if you’re just a regular Joe like I am, and nobody’s heard of you, that’s a tall order. Then the other piece is, even if you do get published, you have to do all the work to sell the book anyway. There’s just not enough money in this equation for a publisher to do any real work for you, not until you’ve begun to prove yourself. Personally, as one with good business sense, I like this new model—there is no one between me and all my potential customers—no one saying it’s not good enough, no one saying we can release your book in 18 months.
9. What advice do you have for aspiring authors?
Advice to aspiring authors—writing may well be the hardest thing you will ever do. At one time I had tons and tons of business debt, customers calling me daily, six highly-paid guys showing up at work every day looking at me for their instructions. I paid through the nose for liability insurance, workers’ comp, and every tool imaginable. Then I waited for the guys to start calling me to say why the jobs couldn’t be done, while I drove around scrambling for more work. All of that was downright easy compared to writing books. But there’s no joy like it. And while I am normal person who has made a lot of mistakes in life, I have found that the more my life is straight, the better my art. The old concept of the tortured writer or tortured artist with various addictions only goes so far. If you want to write clear, clean prose, make yourself as good a person as you can be, and the words will flow. Keep your head up. Be entertained by your writing. Rejoice in the little things. Ultimately writing should be something you enjoy, that gives you passion. I have read that 10,000 hours pursuant to any activity is required to make one an expert, and writing is no exception.
10. What can you say about this book that we wouldn’t learn from the synopsis?
I am grateful to say, Doxology is a beautifully written book, filled with symbols and layers of meaning. It is so much more than I set out to write, and I am proud to say it is so much better than even I thought it would be. It’s not Dostoevsky or the Holy Bible, no, but it is a sweet, moving, inspiring little story of love, loss, and redemption. All told in a Southern accent so thick it just oozes out of the pages.
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