EENY MEENY by M.J. Arlidge has been one of the most buzzed about books for the last few months here in the halls at Penguin. It kept my colleagues and me up into the early hours of the morning reading, and I would love to know if you would like to review or feature the book in June when it goes on sale.
EENY MEENY opens with a compelling and terrifying premise. A young couple wakes up trapped in an abandoned diving pool without food or water. There's no escape. Instead there is a loaded gun with a single bullet, and a phone with enough battery life to receive one message: to walk free, one of them must kill the other.
When other pairs are given the same orders in increasingly twisted ways, the brilliant but damaged Detective Inspector Helen Grace (reminiscent of Prime Suspect’s Jane Tennison or Stella Gibson in the TV series The Fall) finds herself racing against time and confronting dark chapters of her own past.
The "dark, twisted, thought-provoking" (#1 New York Times bestseller Tami Hoag) international bestseller—first in the new series featuring Detective Helen Grace.
Two people are abducted, imprisoned, and left with a gun. As hunger and thirst set in, only one walks away alive.
It’s a game more twisted than any Detective Helen Grace has ever seen. If she hadn’t spoken with the shattered survivors herself, she almost wouldn’t believe them.
Helen is familiar with the dark sides of human nature, including her own, but this case—with its seemingly random victims—has her baffled. But as more people go missing, nothing will be more terrifying than when it all starts making sense....
Two people are abducted, imprisoned, and left with a gun. As hunger and thirst set in, only one walks away alive.
It’s a game more twisted than any Detective Helen Grace has ever seen. If she hadn’t spoken with the shattered survivors herself, she almost wouldn’t believe them.
Helen is familiar with the dark sides of human nature, including her own, but this case—with its seemingly random victims—has her baffled. But as more people go missing, nothing will be more terrifying than when it all starts making sense....
M.J. Arlidge has worked in television for the last 15 years, specialising in high end drama production. Arlidge has produced a number of prime-time crime serials for ITV In the last five years, and is currently working on a major adaptation of The Last of the Mohicans for the BBC.
CHAPTER 1
Sam is asleep. I could kill him now. His face is turned from me—it wouldn’t be hard. Would he stir if I moved? Try to stop me? Or would he just be glad that this nightmare was over?
I can’t think like that. I must try to remember what is real, what is good. But when you’re a prisoner, the days seem endless and hope is the first thing to die.
I rack my brains for happy memories to hold off the dark thoughts, but they are harder and harder to summon.
We’ve been here only ten days (or is it eleven?), yet normal life already seems a distant memory. We were hitching back from a gig in London when it happened. It was pouring rain and a succession of cars had sailed past without a second look. We were soaked to the skin and about to turn back when finally a van pulled over. Inside, it was warm and dry. We were offered coffee from a flask. Just the smell of it was enough to cheer us up. The taste was even better. We didn’t realize it would be our last taste of freedom.
When I came to, my head was pounding. Blood coated my mouth. I wasn’t in the warm van anymore. I was in a cold, dark space. Was I dreaming? A noise behind me made me start. But it was only Sam stumbling to his feet.
We’d been robbed. Robbed and dumped. I scrambled forward, clawing at the walls that enclosed us. Cold, hard tiles. I crashed into Sam and for a brief moment held him, breathing in that smell I love so much. Then the moment passed and we realized the horror of our situation.
We were in a disused diving pool. Derelict, unloved, it had been stripped of the boards, signs and even the steps. Everything that could be salvaged had been. Leaving a deep smooth tank that was impossible to climb out of.
Was that evil shit listening to our screams? Probably. Because when we finally stopped, it happened. We heard a mobile phone ringing and for a brief, glorious moment thought it was someone coming to rescue us. But then we saw the phone’s face glowing on the pool floor beside us. Sam didn’t move, so I ran. Why did it have to be me? Why does it always have to be me?
“Hello, Amy.”
The voice on the other end was distorted, inhuman. I wanted to beg for mercy, explain that they’d made a terrible mistake, but the fact that they knew my name seemed to rob me of all conviction. I said nothing, so the voice continued, relentless and dispassionate:
“Do you want to live?”
“Who are you? What have you done to u—?”
“Do you want to live?”
For a minute, I can’t reply. My tongue won’t move. But then:
“Yes.”
“On the floor by the phone you’ll find a gun. It has one bullet in it. For Sam or for yourself. That is the price of your freedom. You must kill to live. Do you want to live, Amy?”
I can’t speak. I want to vomit.
“Well, do you?”
And then the phone goes dead. Which is when Sam asks:
“What did they say?”
Sam is asleep beside me. I could do it now.
